It began as an in-house publication, but grew to 5,000 subscribers in 1963.
While editors can empathize with the need to balance honoring art with the popularity and viewership of the event, we must restate our belief that the decision to cull these categories in the manner described is not the solution to the dwindling ratings.
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Let us work together to find a solution that truly honors filmmaking and assure this never happens again.